Mac DeMarco Japan Tour 2026 is a slacker-rock, DIY pilgrimage by Mac DeMarco, the Canadian indie icon (born 1990 in Duncan, BC) whose jangly guitars, wry lyrics, and lo-fi charm have defined a generation since his 2012 breakout 2, evolving through Salad Days (2014), This Old Dog (2017), and the 2025 album Guitar (recorded in LA, mixed in Canada, mastered by David Ives)—a six-year-spanning return blending ’70s yacht rock, psychedelic pop, and nostalgic nods in tracks like “Honey Moon” (full Japanese cover of Haruomi Hosono’s classic) and “Boku wa Issun” (tribute to HOSONO HOUSE).
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Contact Jasumo Now →This Japan leg—expanded from an initial 5-city run due to demand, including a second Tokyo show—spans February 16 to February 22, 2026, across 6 dates in 5 cities, delivering ~90–120 minute “slacker sonic siestas” of Guitar debuts, Salad Days staples (“Chamber of Reflection”), and crowd-chorused classics like “My Kind of Woman” amid DIY visuals and beer-soaked banter.
Kicking off in Fukuoka’s DRUM Be-1 on February 16 (Mon), 19:00 (doors 18:00), hitting Osaka’s Umeda Club Quattro on February 17 (Tue), 19:00 (doors 18:00), Kyoto’s Live House Takutaku on February 19 (Thu), 19:00 (doors 18:00), Nagoya’s Nagoya Club Quattro on February 20 (Fri), 19:00 (doors 18:00), Tokyo’s Kanda Square Hall on February 21 (Sat), 19:00 (doors 18:00), and February 22 (Sun), 19:00 (doors 18:00), it’s a “guitar pilgrimage” of prime punches.
Hailed on X as “Mac’s Japan slacker sojourn” and “Kanda’s lo-fi lullaby,” this SMASH Corporation production—post his 2025 U.S./Europe sellouts—celebrates Guitar with DIY delights. Tickets ¥8,500 (advance standing, + drink ~¥600) via official advance (June 25–July 6, 2025) and general from July 12, 2025, 10:00 JST on Pia/eplus/Lawson. Secure via Pia—this slacker sojourn is primed for swift sellouts.
Plunge into Mac’s Japan slacker sojourn—his jangly guitars and wry warbles cascade through “Honey Moon” harmonies and “Boku wa Issun” bows, live in venues that amplify his ’70s yacht haze and DIY dreaminess with regional ripples and Guitar grooves.
Revel in 6-date DIY pilgrimage: from Fukuoka’s Kyushu kickoff to Tokyo’s double-dose, each a unique sonic siesta with Kanazawa/Kyoto/Nagoya/Osaka’s sonic savings and added Tokyo for pilgrimage peaks. Embrace indie integrity: bedroom sonic saviors scouting their voyage through 90–120 minute lo-fi landscapes and fan-fueled falsettos.
Savor value vortex: ¥8,500 advance standing (drink ~¥600 separate) for hazy harmonic havens; no fees on Pia/eplus/Lawson, unbeatable for slacker pilgrims. Nestle in city-specific sonic nexuses: Fukuoka’s yatai feasts, Kyoto’s Takutaku tranquility, Nagoya’s Quattro quirks, Osaka’s Umeda underground, Tokyo’s Kanda cultural cascades—pre-show ramen or post-pit craft sake.
| Date | City | Venue | Time | Doors | Capacity | Special Notes |
|---|---|---|---|---|---|---|
| 2026/02/16 (Mon) | Fukuoka | DRUM Be-1 | 19:00 | 18:00 | ~800 | Kyushu kickoff; Hakata harbor haze |
| 2026/02/17 (Tue) | Osaka | Umeda Club Quattro | 19:00 | 18:00 | ~300 | Kansai chaos; Umeda underground |
| 2026/02/19 (Thu) | Kyoto | Live House Takutaku | 19:00 | 18:00 | ~200 | Kyoto’s Takutaku tranquility |
| 2026/02/20 (Fri) | Nagoya | Nagoya Club Quattro | 19:00 | 18:00 | ~500 | Chubu core; Nagoya nights |
| 2026/02/21 (Sat) | Tokyo | Kanda Square Hall | 19:00 | 18:00 | ~1,500 | Tokyo pilgrimage peak; added due to demand |
| 2026/02/22 (Sun) | Tokyo | Kanda Square Hall | 19:00 | 18:00 | ~1,500 | Tokyo encore; second show for sonic sojourns |
Program (All Dates): Slacker-rock pilgrimage (~90–120 min + encore). Core: “Honey Moon” (Hosono cover), “Boku wa Issun”, Guitar debuts, Salad Days staples (“Chamber of Reflection”). Subject to change; no intermission—relentless rock relay. Performer: Mac DeMarco (indie slacker sonic savant).
| Ticket Type | Price |
|---|---|
| Standing (Advance) | ¥8,500 (+ drink ~¥600) |
Reseller Pricing (Per Ticket, Subject to Change): Standing: ¥9,000–¥10,000 | ~20–50 tickets per show post-general.
Contact Jasumo via the Jasumo Contact Form to streamline your Pia/eplus/Lawson registration, payment, and pickup. The official platforms are Pia (t.pia.jp), eplus (eplus.jp), and Lawson (l-tike.com), where official advance applications begin June 25, 2025, 12:00 JST (up to 4 tickets/application; 1 application limit per show), and general release from July 12, 2025, 10:00 JST.
Payment options include credit card (instant upon completion), convenience store/ATM (7-Eleven, FamilyMart, Lawson/Ministop/Daily Yamazaki, Pay-easy), or online banking (by deadline). Pickup is available at 7-Eleven (register) or FamilyMart (multi-copy machine) from July 12, 2025 onward.
Jasumo handles bilingual navigation for international users, ensuring seamless advance/general entry, payment via global cards, and e-ticket or physical delivery. Inquiries go to Pia Support at 0570-00-1212, eplus at 0570-000-999, or Lawson at 0570-000-777 (10:00–18:00 JST).
Submit your request through the Jasumo Contact Form with complete details: date, venue, ticket type (standing), and quantity (e.g., “February 16 Fukuoka DRUM Be-1, 2x standing”). Jasumo offers comprehensive bilingual support, including Pia/eplus/Lawson account creation, advance/general release submission, payment guidance via international credit cards or convenience store instructions, and e-ticket delivery or physical pickup coordination at 7-Eleven/FamilyMart.
Group bookings up to 4 tickets per application are supported, with 1 application limit per show. Apply early from June 25, 2025 for advance—¥8,500 tickets vanish fast for slacker sojourn savings. Jasumo ensures seamless navigation for international users, from first-come entry to entry validation.
For performance or ticket issues, contact Pia Support at 0570-00-1212, eplus at 0570-000-999, or Lawson at 0570-000-777 (10:00–18:00 JST). For venue-specific details, visit:
Jasumo provide a specialized facilitation service for foreign tourists and non-Japanese residents in Japan, assisting with ticket acquisition through authorized platforms like Pia, eplus, and Lawson. We are not a ticket reseller and do not sell tickets directly.
Our role is to guide international customers through the official booking process, addressing challenges such as language barriers, local platform navigation, payment methods, and high-demand advance/general releases. Securing tickets is not guaranteed. Apply via Jasumo from June 25, 2025 to access official ¥8,500 pricing and avoid resales. For travel planning, Jasumo can coordinate with regional tourism boards.
A: Slacker-rock pilgrimage (~90–120 min + encore). Core: “Honey Moon” (Hosono cover), “Boku wa Issun”, Guitar debuts, Salad Days staples (“Chamber of Reflection”). Subject to change; no intermission—relentless rock relay.
A: Yes—Jasumo provide full bilingual support for Pia/eplus/Lawson advance/general release applications, including account setup, payment via global cards or convenience store guidance, and e-ticket/physical pickup at 7-Eleven/FamilyMart. Contact via the Jasumo Contact Form with your date, venue, and quantity (up to 4 tickets/application, 1 application limit per show).
A: Elementary+ require tickets at ¥8,500. Preschoolers free on lap (1 per adult, no seat occupied). No lap-sitting in standing areas; family-friendly but slacker—bring earplugs for sonic sensitivities.
A: Standing format with limited options; contact Pia (0570-00-1212), eplus (0570-000-999), or Lawson (0570-000-777) post-purchase for wheelchair/priority access. Venue footage may capture attendees for public use (news/social media). No re-entry; late entry may limit stage views.
A: Mac DeMarco’s Japan Tour 2026 across 6 dates in 5 cities—Fukuoka’s Kyushu kickoff, Osaka’s Umeda underground, Kyoto’s Takutaku tranquility, Nagoya’s Quattro core, Tokyo’s double-dose Kanda Square Hall pilgrimage—celebrating Guitar (2025) with “Honey Moon” Hosono covers and “Boku wa Issun” tributes in 200–1,500-capacity venues. This slacker sojourn—post-2025 U.S./Europe sellouts—revives Salad Days staples and DIY dreaminess for a sonic siesta pilgrimage of jangly guitars and wry warbles.
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