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  • December 20, 2025 at 6:30 pm
    Event date:
  • December 20, 2025 at 10:30 pm
    Event end:

Overview

Aina the End “nukariari” 2025 is a haunting, introspective sonic pilgrimage by Aina the End (born 1994 in Tokyo, as Aina Aiba), the SCANDAL’s ethereal vocalist whose velvet timbre, poetic lyricism, and genre-blending artistry have captivated J-rock souls since her 2023 solo debut THE END, with over 500,000 streams on tracks like “Zettai Reido”, “Kimi no Namae”, and “Hikari no Michi” fueling anime (My Happy Marriage) tie-ins and intimate live lore.

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This one-night confessional odyssey—her most vulnerable since 2024’s “Inner Echoes”—unveils a ~120–150 minute “endless rampage” of nukariari deep cuts, vocal catharses, and acoustic encores amid soft spotlights and audience whisper-chants.

Sole performance at Tokyo Garden Theater on December 20, 2025 (Sat), 18:30 (doors 17:30), it’s a “prime end jihad” of sonic vulnerability. Hailed on X as “Aina’s nukariari revelation” and “Garden’s introspective arcs,” this Ki/oon Music production—exploring loss and rebirth—revives “Zettai Reido” reveries with raw resonance.

Tickets ¥12,000 general reserved + ¥1,210 fee via first-come general release on eplus from October 24, 2025, 15:00 JST – November 13, 2025, 18:00 JST. Secure via eplus—this confessional gala is primed for swift sellouts.

Why Attend

Plunge into Aina’s end jihad—her velvet timbre and poetic arcs cascade through “Zettai Reido” reveries and “Kimi no Namae” horizons, live in Tokyo Garden Theater’s 3,000-seat intimate sanctuary, where THE END grooves meet solo heritage in soft spotlights and whisper-chant chaos.

Revel in one-night pilgrimage: confessional sorcery for an odyssey echoing her 2024 acoustic triumphs. Embrace sonic vulnerability: Tokyo sonic siren scouting inner voids through 120–150 minute barrages of “Hikari no Michi” swells and fan-fueled falsettos.

Savor value vortex: ¥12,000 + ¥1,210 reserved for raw end reckonings; AnyPASS e-tickets, unbeatable for Aina pilgrims. Nestle in Ariake’s introspective nexus: Theater’s bayside glow ties to Odaiba futurism, teamLab illusions, and Haneda ease—pre-show matcha or post-rite craft sake in urban underbelly.

Tour Schedule & Ticket Information

DateCityVenueTimeDoorsCapacitySpecial Notes
2025/12/20 (Sat)TokyoTokyo Garden Theater18:3017:30~3,000One-night confessional; general reserved seating

Program: Confessional rampage (~120–150 min + encore). Core: “Zettai Reido”, “Kimi no Namae”, “Hikari no Michi”, nukariari grooves, 2025 teases. Subject to change; no intermission—relentless end relay. Drinks not included.

Performers: Aina the End (Aina Aiba) — SOLO WITH BAND.

Ticket Types & Pricing

Ticket TypePrice
General Reserved Seating¥12,000 + ¥1,210 service fee
Reseller Pricing (Per Ticket, Subject to Change): Reserved: ¥15,000–¥20,000~50–200 tickets post-release.

Notes

  • General reserved seating; children 3+ require tickets; under 3 free on lap (1 per adult, no seat occupied).
  • No complaints/refunds on seats; no fee transfers without consent; name/contact must match attendee (denied otherwise).
  • No cancellations/changes/refunds post-purchase; agree to notes on application; overseas applicants follow page instructions.
  • COVID: Self-implement measures; refer to https://corona.go.jp/events/.
  • No resale (invalidated); no re-entry; baggage inspections; late entry may restrict seating.
  • Secure through Jasumo for ¥12,000 + ¥1,210 advances—intimate capacity ensures instant sellout risks.

Sales Schedule

  • First-Come General Release: October 24, 2025, 15:00 JST – November 13, 2025, 18:00 JST (up to 4 tickets/app; 1 app limit per show).
  • Event Entry: Reserved/timed; arrive early for merch. AnyPASS e-tickets issued 5 days prior via registered email.

Purchase Channels

Contact Jasumo through the Jasumo Contact Form to streamline your eplus/AnyPASS registration, payment, and digital issuance. The official platform is eplus (eplus.jp) with AnyPASS integration, where first-come general release starts October 24, 2025, 15:00 JST (up to 4 tickets/application; 1 application limit per show).

Payment options include credit card (instant upon completion), convenience store/ATM (7-Eleven, FamilyMart, Lawson/Ministop/Daily Yamazaki, Pay-easy), or online banking (by deadline). Pickup is digital via AnyPASS email (5 days prior; ensure anypass.jp reception). Jasumo handles bilingual navigation for international users, ensuring seamless general entry, payment via global cards, and e-ticket delivery. Inquiries go to eplus Support at 0570-000-999 (10:00–18:00 JST).

Venue Details

  • Tokyo Garden Theater
    • Location: 2-1-3 Ariake, Koto-ku, Tokyo 135-0063.
    • Capacity: ~3,000 reserved.
    • Access: 5-min walk from Ariake Station (Yurikamome Line).
    • Attractions: Odaiba Seaside Park, teamLab Planets, DiverCity Tokyo Plaza.

Booking with Jasumo

Submit your request through the Jasumo Contact Form with complete details: date, venue, ticket type (general reserved), and quantity (e.g., “December 20 Tokyo Garden Theater, 2x general reserved”). Jasumo offers comprehensive bilingual support, including eplus/AnyPASS account creation, first-come general release submission, payment guidance via international credit cards or convenience store instructions, and e-ticket delivery coordination via email.

Group bookings up to 4 tickets per application are supported, with 1 application limit per show. Apply from October 24, 2025, 15:00 JST¥12,000 + ¥1,210 tickets vanish fast for end jihad savings. Jasumo ensure seamless navigation for international users, from release rush to entry validation, including name-matching preparations.

Inquiries

For performance or ticket issues, contact eplus Support at 0570-000-999 (10:00–18:00 JST). For venue-specific details, visit https://www.tokyo-garden-theater.co.jp/. Jasumo can relay inquiries in English and Japanese, ensuring clear communication with organizers.

Disclaimer

Jasumo provide a specialized facilitation service for foreign tourists and non-Japanese residents in Japan, assisting with ticket acquisition through authorized platforms like eplus and AnyPASS. We are not a ticket reseller and do not sell tickets directly.

Our role is to guide international customers through the official booking process, addressing challenges such as language barriers, local platform navigation, payment methods, and high-demand first-come releases. Securing tickets is not guaranteed. Apply via Jasumo from October 24, 2025 to access official ¥12,000 + ¥1,210 pricing and avoid resales. For travel planning, Jasumo can coordinate with Tokyo Tourism.

Reviews

  • “Aina’s end jihad jangled—Zettai Reido reveries, Kimi no Namae horizons: Garden’s introspective sorcery!”
  • “Jasumo snagged reserved seats; Ariake bang + ‘Hikari no Michi’ swells = prime pilgrimage peak!”
  • “One-night confessional pulsed—nukariari grooves, 2025 teases: Aina’s anthemic arcs!”

Frequently Asked Questions (FAQs)

Q1: What is the program for Aina the End “nukariari” at Tokyo Garden Theater?

A: Confessional rampage (~120–150 min + encore). Core: “Zettai Reido”, “Kimi no Namae”, “Hikari no Michi”, nukariari grooves, 2025 teases. Subject to change; no intermission—relentless end relay. Drinks not included.

Q2: Can international fans buy tickets without speaking Japanese?

A: Yes—Jasumo provide full bilingual support for eplus/AnyPASS first-come general release, including account setup, payment via global cards or convenience store guidance, and e-ticket email delivery 5 days prior. Contact via the Jasumo Contact Form with your quantity (up to 4 tickets/application, 1 application limit per show).

Q3: Are children allowed, and what are the policies?

A: Children 3+ require tickets at ¥12,000 + ¥1,210. Under 3 free on lap (1 per adult, no seat). No separate refunds/complaints on seating. Drinks not included.

Q4: What are the accessibility accommodations at the venue?

A: Reserved seating with options; contact eplus (0570-000-999) post-release for priority. No re-entry; late entry may limit views. Self-implement COVID measures.

Q5: Why is this event special?

A: Aina the End’s one-night “nukariari” 2025 at ~3,000-capacity Tokyo Garden Theater—introspective pilgrimage exploring loss with “Zettai Reido” reveries and nukariari horizons in spotlight vulnerability. This solo jihad revives THE END swells and new confessions for an end odyssey of anthemic arcs and fan-fueled falsettos.

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