The Canon EF 14mm F2.8L II USM is a high-performance, ultra-wide-angle prime lens, perfect for capturing sweeping, dramatic views of Japanese landscapes, interiors, and architectural marvels. With an expansive diagonal angle of view of one hundred fourteen degrees, this lens provides a truly immersive perspective.
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Contact Jasumo Now →This Mark II version features a new optical design that ensures high image quality and remarkably minimal distortion for such an extreme wide-angle lens. The bright F2.8 maximum aperture excels in low-light conditions, making it an ideal choice for capturing the stunning nightscapes and starry skies over Japan.
The Canon EF 14mm F2.8L II USM is a specialized lens built for photographers who need to fit the absolute maximum into their frame while maintaining superb image quality. When traveling through Japan, this lens is invaluable for capturing the scale of massive structures or the vastness of natural scenery without the typical curved distortions of fisheye lenses.
The lens utilizes a complex optical structure with fourteen elements in eleven groups, including two aspherical elements and two UD (Ultra-low Dispersion) elements, to deliver edge-to-edge sharpness and superior correction of aberrations. The wide F2.8 aperture allows for flexible shooting in challenging light and provides excellent control over depth of field.
Featuring a bulbous front element necessary for the extreme wide field of view, this lens uses a specialized rear gel filter holder. The ring-type USM provides quick and precise autofocus, complemented by a dustproof and drip-proof structure that protects the lens from the elements encountered during extensive travel.
| Feature | Detail |
| Lens Mount | Canon EF |
| Focal Length | fourteen millimeters (Fixed) |
| Maximum Aperture | F2.8 |
| Minimum Focusing Distance | Zero point two meters |
| Filter Diameter | Pinching type (Rear Gel Filter Holder) |
| Maximum Magnification | Zero point one five times |
| Weight | six hundred forty-five grams |
| Lens Construction | fourteen elements in eleven groups |
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Yes. The extremely wide F2.8 aperture gathers plenty of light, allowing you to use faster shutter speeds than typical zoom lenses. This largely compensates for the lack of Image Stabilization (IS), making it very effective for handholding during night or twilight hours.
No. Due to the bulbous front element, standard screw-on filters cannot be attached. It uses a small, internal rear gel filter holder (pinching type), which requires special, thin gel filters and is generally used only for technical purposes like correcting white balance.
The lens employs a complex optical design, including two high-precision aspherical elements. These elements are designed to project a rectified image onto the sensor, greatly reducing the barrel distortion that would typically cause straight lines to curve at fourteen millimeters.
On an APS-C camera, the focal length is equivalent to approximately twenty-two point four millimeters. This is still a useful wide-angle perspective, ideal for landscapes and interiors, though you lose some of the extreme field of view compared to full-frame use.
Yes, the fourteen millimeter focal length is unique for street photography, allowing you to get extremely close to your subject while still showing the full environment. The F2.8 speed also helps freeze action or separate the subject using shallow depth of field.
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