The exciting musical production “Leap of Faith: The Man Who Calls Miracles” is scheduled for a major run in Japan, starting at the Tokyo Tatemono Brillia HALL. This production, which tells a story about a genuine miracle beginning with a colossal lie, is set to captivate audiences with its blend of powerful storytelling and spectacular musical numbers. Starring Takeuchi Ryoma in the lead role of the charismatic con man, the show brings together a highly talented cast and a top-tier creative staff to explore the theme of “faith” and the miracles it can inspire.
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Contact Jasumo Now →Following its Tokyo run, “The Man Who Calls Miracles” will embark on a domestic tour, visiting three other major cities across Japan. This provides audiences outside the capital with the chance to experience the show’s blend of wonderful songs and dramatic narrative. The musical is designed to be a compelling theatrical experience, showcasing exceptional vocal performances and high-quality production values as it weaves a tale of redemption, belief, and the extraordinary power of conviction.
Jasumo Tickets provide Concierge Ticket Service that assists international visitors in securing tickets that usually require many verifications. Submit your request through the Jasumo Contact Form by sharing your preferred date, venue or performance, ticket type, and quantity. Once you’ve reviewed the event details, simply confirm your selection and our bilingual team will support you end-to-end, including Smart Ticket application and payment coordination via credit card, convenience store, or ATM.
Please note that ticket availability is not guaranteed. After receiving your request, we will first check real-time availability on the official ticket platform. If tickets are available, we’ll make every effort to secure them for you. If they are sold out, don’t worry — we can also source tickets through trusted and verified resale marketplaces in Japan, helping you get the best possible seats.
| Date | Venue | Seat Types |
| 2026/04/04 (Sat) 17:30 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/05 (Sun) 12:30 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/05 (Sun) 17:30 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/07 (Tue) 13:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/08 (Wed) 13:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/08 (Wed) 18:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/09 (Thu) 13:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/10 (Fri) 13:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/11 (Sat) 12:30 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/11 (Sat) 17:30 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/14 (Tue) 13:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/15 (Wed) 13:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/15 (Wed) 18:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/16 (Thu) 13:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/17 (Fri) 13:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/18 (Sat) 12:30 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/18 (Sat) 17:30 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/19 (Sun) 12:30 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/21 (Tue) 18:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/22 (Wed) 13:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/23 (Thu) 13:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
| 2026/04/24 (Fri) 13:00 | Tokyo Tatemono Brillia HALL | S Seat, S w/Penlight, A Seat, A w/Penlight, U-25, Y Seat |
Further Tickets are also available. You can contact us.
Jasumo offers a specialized facilitation service for foreign tourists and non-Japanese residents in Japan, assisting with ticket acquisition for cultural and entertainment events through authorized and official platforms. We are not a ticket reseller and do not sell tickets directly. Our role is to guide international customers through the official booking process and help overcome common challenges, including:
Q: What do the seat types “S w/Penlight” and “A w/Penlight” include?
A: These ticket types include the standard S or A seat along with a commemorative penlight or glowstick that is part of the show’s fan experience. This is provided as part of the ticket package.
Q: What are the “U-25” and “Y Seat” ticket types?
A: “U-25” is a discounted ticket usually available for patrons aged 25 or younger, requiring ID verification at the venue. “Y Seat” often refers to balcony or restricted-view seating sold at a lower, special price.
Q: Will the musical be performed in English or Japanese?
A: The production will be performed in Japanese, as is typical for major domestic musical runs featuring a Japanese cast. There are generally no English subtitles provided.
Q: Can I request tickets for the Japan Tour dates in Osaka, Fukuoka, or Aichi?
A: Yes, our concierge service extends to the entire Japanese tour, including the performances in Osaka, Fukuoka, and Aichi. Simply specify the city and date when submitting your request.
Q: Since the performances are long, is photography allowed during the musical?
A: Generally, photography, video recording, and audio recording are strictly prohibited during the performance of a musical in Japan. You may be asked to leave if you violate this rule.
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