Michiko Shimizu Japan Tour 2025-2026 is a timeless, enka-infused sonic odyssey by Michiko Shimizu (born 1962 in Tokyo), the veteran Japanese singer whose emotive vocals, graceful phrasing, and heartfelt renditions have defined the enka genre since her 1985 debut Mizu no Naka no Hanataba, with over 5 million records sold and staples like “Mizu no Naka no Hanataba”, “Yoru no Kaze”, and “Ai no Shima e” from Yoru no Kaze (1990) earning her NHK Kohaku Uta Gassen appearances and enduring fan devotion.
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Contact Jasumo Now →This regional pilgrimage—her latest cross-country outing post-2024’s reflective series—delivers ~90–120 minute “enka rampages” of career deep cuts, acoustic confessions, and 2026 spiritual previews amid cabaret warmth and crowd-chanting catharsis.
Kicking off at Higashimatsuyama Shimin Bunka Center on November 30, 2025 (Sat), 15:00 (doors 14:30), continuing through Sakata Civic Center Kibou Hall Grand Hall on February 15, 2026 (Sat), 15:00 (doors 14:30), and climaxing at Nippon Budokan on January 3, 2026 (Sat), 18:00 (doors 17:00), it’s a “prime Shimizu jihad” of sonic sorcery.
Hailed on X as “Michiko Shimizu’s 2025-2026 enka apocalypse” and “Budokan’s heartfelt arcs,” this independent production revives “Mizu no Naka no Hanataba” with unbridled emotion. Tickets ¥7,350–¥8,800 tiered reserved via general release on eplus from TBA (likely October 2025) – show dates (up to 4 tickets/app; 4 apps limit). Secure via eplus—this spiritual sojourn is primed for swift sellouts.
Plunge into Michiko Shimizu’s enka jihad—graceful phrasing and emotional arcs cascade through “Mizu no Naka no Hanataba” revelations and “Yoru no Kaze” horizons, live in Higashimatsuyama’s cultural warmth to Nippon Budokan’s Tokyo grandeur, where Yoru no Kaze grooves meet 40-year legacy in cabaret catharsis and choral chants.
Revel in multi-city pilgrimage: Saitama opener to Budokan climax—for an odyssey echoing her 2024 Kohaku triumphs. Embrace sonic sorcery: Tokyo sonic sage summoning Japan’s winters through 90–120 minute barrages of “Ai no Shima e” swells and fan-fueled falsettos. Savor value vortex: ¥7,350 annotated reserved for raw enka reckonings; unbeatable for Shimizu pilgrims.
Nestle in Saitama’s spiritual nexus: Higashimatsuyama’s civic glow ties to Saitama Super Arena, Omiya Park serenity, and Haneda ease—pre-show soba or post-rite craft sake in suburban underbelly.
| Date | City | Venue | Time | Doors | Capacity | Special Notes |
|---|---|---|---|---|---|---|
| 2025/11/30 (Sat) | Higashimatsuyama (Saitama Prefecture) | Higashimatsuyama Shimin Bunka Center | 15:00 | TBA | ~800 | Tour opener; tiered reserved |
| 2025/12/06 (Fri) | Morioka (Iwate Prefecture) | Morioka Civic Cultural Hall | 15:00 | TBA | ~1,200 | Tohoku tranquility; tiered reserved |
| 2025/12/07 (Sat) | Sendai (Miyagi Prefecture) | Tokyo Electron Hall Miyagi | 15:00 | TBA | ~1,500 | Sendai serenity; tiered reserved |
| 2025/12/13 (Sat) | Yokohama (Kanagawa Prefecture) | Kannai Hall Large Hall | 15:00 | TBA | ~1,000 | Yokohama yearning; tiered reserved |
| 2025/12/17 (Sat) | Sapporo (Hokkaido Prefecture) | Sapporo Shimin Hall (Kanamoto Hall) | 15:00 | TBA | ~2,000 | Hokkaido harmony; tiered reserved |
| 2026/01/03 (Sat) | Tokyo | Nippon Budokan | 18:00 | 17:00 | ~10,000 | Budokan climax; tiered reserved |
| 2026/02/07 (Sat) | Mito (Ibaraki Prefecture) | Mito City Civic Center Globis Hall Large Hall | 15:00 | TBA | ~1,500 | Ibaraki introspection; tiered reserved |
| 2026/02/15 (Sun) | Sakata (Yamagata Prefecture) | Sakata Civic Center Kibou Hall Grand Hall | 15:00 | TBA | ~1,000 | Yamagata yearning; tiered reserved |
Program (All Dates): Enka rampage (~90–120 min + encore). Core: “Mizu no Naka no Hanataba”, “Yoru no Kaze”, “Ai no Shima e”, career medley, 2026 teases. Subject to change; no intermission—relentless emotional relay.
Performers: Michiko Shimizu (vocals) with full band.
| Ticket Type | Price |
|---|---|
| All Seats Reserved (General) | ¥7,900 |
| Reserved Seats with Notes (Limited View) | ¥7,350 |
| Diagonally Behind 2F Seats (Obstructed) | ¥6,800 |
Reseller Pricing (Per Ticket, Subject to Change): ¥8,000–¥12,000 | ~20–100 tickets per show post-general.
Contact Jasumo through the Jasumo Contact Form to streamline your eplus registration, payment, and pickup. The official platform is eplus (eplus.jp), where general release starts TBA (up to 4 tickets/application; 1 application limit per show). Payment options include credit card (instant upon completion), convenience store/ATM (7-Eleven, FamilyMart, Lawson/Ministop/Daily Yamazaki, Pay-easy), or online banking (by deadline).
Pickup available at 7-Eleven (register) or FamilyMart (multi-copy machine) from December 20, 2025, 14:00 onward. Jasumo handles bilingual navigation for international users, ensuring seamless general entry, payment via global cards, and physical ticket delivery. Inquiries go to eplus Support at 0570-000-999 (10:00–18:00 JST).
Submit your request through the Jasumo Contact Form with complete details: date, venue, ticket type (general/annotated/obstructed reserved), and quantity (e.g., “January 3 Nippon Budokan, 2x general reserved”). Jasumo offers comprehensive bilingual support, including eplus account creation, general release submission, payment guidance via international credit cards or convenience store instructions, and physical pickup coordination at 7-Eleven/FamilyMart.
Group bookings up to 4 tickets per application are supported, with 4 applications limit per person. Apply early for general—¥6,800–¥7,900 tickets vanish fast for enka jihad savings. Jasumo ensure seamless navigation for international users, from release rush to entry validation.
For performance or ticket issues, contact eplus Support at 0570-000-999 (10:00–18:00 JST). For venue-specific details, visit respective sites. Jasumo can relay inquiries in English and Japanese, ensuring clear communication with organizers.
Jasumo provide a specialized facilitation service for foreign tourists and non-Japanese residents in Japan, assisting with ticket acquisition through authorized platforms like eplus. We are not a ticket reseller and do not sell tickets directly.
Our role is to guide international customers through the official booking process, addressing challenges such as language barriers, local platform navigation, payment methods, and high-demand general releases. Securing tickets is not guaranteed. Apply via Jasumo to access official ¥6,800–¥7,900 pricing and avoid resales. For travel planning, Jasumo can coordinate with nationwide Tourism.
A: Enka rampage (~90–120 min + encore). Core: “Mizu no Naka no Hanataba”, “Yoru no Kaze”, “Ai no Shima e”, career medley, 2026 teases. Subject to change; no intermission—relentless emotional relay.
A: Yes—Jasumo provide full bilingual support for eplus general release submissions, including account setup, payment via global cards or convenience store guidance, and physical pickup at 7-Eleven/FamilyMart. Contact via the Jasumo Contact Form with your date and quantity (up to 4 tickets/app, 1 app limit per show).
A: Ages 3+ require tickets at ¥7,350–¥7,900 general / obstructed. Preschool not admitted. No lap-sitting; enka, family-friendly—bring earplugs for sensitivities.
A: Reserved seating with obstructed view options; contact eplus (0570-000-999) post-release for priority. No re-entry; late entry may limit views.
A: Michiko Shimizu’s Japan Tour 2025-2026—eight-city pilgrimage from Saitama to Yamagata, reviving Yoru no Kaze with “Mizu no Naka no Hanataba” revelations and enka horizons in spiritual connection. This folk jihad celebrates her legacy with emotional swells and new ballads for a Michiko odyssey of anthemic arcs and fan-fueled falsettos.
From corporate teams to friends traveling together, we create tailor-made travel packages. Enjoy VIP access, curated itineraries, and full support from our local experts. Tell us your plans, and we’ll handle the rest.
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