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  • January 2, 2026 at 1:00 pm
    Event date:
  • January 19, 2026 at 7:00 pm
    Event end:

Overview

“My Song Boogie Woogie – The Story of Kasagi Shizuko” is a biographical stage production celebrating the life of the renowned Japanese jazz singer and actress, Kasagi Shizuko (1914–1985). Dubbed the “Queen of Boogie” in the post-war era, Kasagi became an inspirational figure who cheered up a devastated nation with her energetic performances and signature boogie-woogie songs, most famously “Tokyo Boogie-Woogie.”

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This highly anticipated production explores her dramatic life, including her rise to fame, her relationship with composer Ryoichi Hattori (whose grandson, Takayuki Hattori, is the musical director), and her perseverance through the war years, single motherhood, and the challenges of Japanese society. The performance features a talented cast, with Midoriko Kimura taking on the role of Shizuko Kasagi.

Staged at the intimate Mitsukoshi Theater in Tokyo for a limited run in the new year, this performance offers a moving and historically significant glimpse into a pioneering female artist’s life. Tickets are being released via a lottery pre-order followed by a general sale, making Jasumo’s assistance crucial for securing seats.

Why Attend

  • Witness the story of Kasagi Shizuko, the legendary “Queen of Boogie” who inspired post-war Japan.
  • Experience a high-quality stage production featuring a large and acclaimed Japanese cast.
  • Enjoy the iconic jazz-influenced “boogie-woogie” music composed by Ryoichi Hattori.
  • The show has strong cultural significance, following the popularity of the NHK drama based on her life.
  • Performances are conveniently scheduled during the New Year period in central Tokyo.
  • Jasumo can facilitate your application for the competitive lottery pre-order phase to maximize your chance of securing tickets.

Tour Schedule & Ticket Information

VenuePrefectureDateStart TimeSale TypeApplication Period
Mitsukoshi TheaterTokyo2026/1/2 (Fri)13:00Lottery Pre-order2025/11/11 (Tue) 10:00 – 2025/11/18 (Tue) 23:59
Mitsukoshi TheaterTokyo2026/1/2 (Fri)13:00General Release2025/11/29 (Sat) 10:00 – 2025/12/25 (Thu) 18:00
Mitsukoshi TheaterTokyo2026/1/3 (Sat)11:00Lottery Pre-order2025/11/11 (Tue) 10:00 – 2025/11/18 (Tue) 23:59
Mitsukoshi TheaterTokyo2026/1/3 (Sat)15:30Lottery Pre-order2025/11/11 (Tue) 10:00 – 2025/11/18 (Tue) 23:59
Mitsukoshi TheaterTokyo2026/1/12 (Mon/Holiday)11:00General Release2025/11/29 (Sat) 10:00 – 2026/1/6 (Tue) 18:00
Mitsukoshi TheaterTokyo2026/1/19 (Mon)15:30Lottery Pre-order2025/11/11 (Tue) 10:00 – 2025/11/18 (Tue) 23:59

Ticket Types & Pricing

Ticket TypeDescriptionPrice (¥)
All Seats ReservedStandard ticket for the performance10,000
Service ChargePer ticket booking fee660

Booking with Jasumo

Submit your request through the Jasumo Contact Form with your preferred date, time, and quantity (e.g., “January 3, 15:30 show, 2x reserved tickets”). You can specify up to four tickets per application. For the lottery pre-order, you may choose up to your first choice of performance time.

Jasumo offers comprehensive bilingual support for international users to navigate the complex lottery application process. We assist with submitting your entry, managing payment upon winning (Credit Card, Convenience Store/ATM), and coordinating the physical ticket collection at a 7-Eleven or FamilyMart from November 29, 2025, onwards.

Disclaimer

Jasumo provides a specialized facilitation service for foreign tourists and non-Japanese residents in Japan, assisting with ticket acquisition for cultural events like Europe Kikaku’s 44th Performance “Internet Island Explorer” Tour through authorized platforms like Pia. We are not a ticket reseller and do not sell tickets directly. Our role is to guide international customers through the official booking process, addressing challenges such as:

  • Language Barriers: Japanese-only ticketing systems; Jasumo offers bilingual support.
  • Local Platforms: Assistance with lottery registration, payments, and e-ticket delivery.
  • High Demand: ~300–1,500 seats per venue and troupe’s cult following create sellout risks; we manage deadlines for prime chances.

Securing tickets is not guaranteed. Book via Jasumo by venue deadlines (e.g., Nov 5, 2025, for Tokyo) for official ¥8,500 pricing to avoid resales. For travel planning, we can coordinate with regional tourism boards.

Reviews

“Midoriko Kimura’s performance as Kasagi Shizuko was outstanding, perfectly capturing the spirit and energy of the Queen of Boogie. A must-see piece of Japanese history.”

“The story is deeply moving and the music is fantastic. It’s much more than a biography; it’s a piece of post-war cultural history brought to life.”

“A truly professional and intimate staging at the Mitsukoshi Theater. The lottery process was confusing, but Jasumo’s help secured our tickets for the opening weekend.”

Frequently Asked Questions (FAQs)

The best way is to apply during the lottery pre-order period, which is currently ongoing. Jasumo can help submit your application before the deadline of November 18, 2025, to enter the draw for tickets.

Is the play suitable for young children?

Only preschool children aged 4 and over are permitted to attend the performance, and each child must have a full-price ticket for entry. Children under 4 years of age are not allowed.

Can I apply for more than one performance date?

Yes, you may apply for multiple performances, but you are limited to submitting only one application for the same performance date and time (e.g., only one entry for the January 3, 15:30 show).

What is the deadline for the pre-order lottery application?

The application period for the pre-order lottery is very short. It closes on Tuesday, November 18, 2025, at 23:59 JST. Submissions must be finalized before this time.

What are the available ticket pickup methods?

Physical tickets for the show can be collected starting from Saturday, November 29, 2025. Pickup is available at the register of a 7-Eleven or the multi-copy machine within a FamilyMart, and Jasumo can guide you through this process.

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