Strawberry Song Orchestra presents Kaiki Daisakusen – Return of the Freak Show Hell Chapter is a bizarre, theatrical sonic odyssey by Strawberry Song Orchestra (formed 2000s in Tokyo), the avant-garde collective of experimental musicians, performers, and visual artists whose chaotic fusion of noise-rock, circus-like absurdity, and immersive storytelling has redefined J-indie theater since Strawberry Song, with cult acclaim for series like “Kaiki Daisakusen” blending live music, grotesque characters, and interactive madness in “freak show” spectacles.
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Contact Jasumo Now →This one-night mystery carnival pilgrimage—the long-awaited return of the “Hell Show” after 2024’s “Flea Market Hell”—unleashes a ~120–150 minute “kaiki rampage” of pitch-black feasts, demon parades, and boundary-shattering performances, guided by the enigmatic Red Cape, summoning underworld actors for a carnival of the grotesque that invades everyday reality.
Sole performance at STUDIO PARTITA on January 11, 2026 (Sun), 15:00 (doors 14:00), it’s a “prime kaiki jihad” of sonic sorcery. Hailed on X as “Strawberry Song’s freak apocalypse” and “Partita’s hell arcs,” this Strawberry Song Orchestra production—titled “The Return of the Hell Show”—revives mystery incidents with unbridled madness.
Tickets ¥6,500 all seats via general release on eplus from October 19, 2025, 10:00 JST – January 10, 2026, 18:00 JST (still open). Secure via eplus—this insane carnival is primed for swift sellouts.
Plunge into Strawberry Song Orchestra’s kaiki jihad—their chaotic fusion and grotesque arcs cascade through “freak show” mysteries and “hell chapter” horizons, live in STUDIO PARTITA’s 300-capacity Osaka bunker, where theatrical grooves meet cult heritage in pitch-black chaos and interactive immersion. Revel in one-night pilgrimage: mystery carnival sorcery for an odyssey echoing 2024 “Flea Market Hell” triumphs.
Embrace sonic sorcery: Tokyo sonic sovereigns storming Osaka’s stages through 120–150 minute barrages of demon parades and fan-fueled falsettos. Savor value vortex: ¥6,500 all seats for raw kaiki reckonings; unbeatable for Strawberry pilgrims. Nestle in Osaka’s hell nexus: Partita’s Namba glow ties to Dotonbori neon, Shinsaibashi shopping, and Kansai Airport ease—pre-show takoyaki or post-rite craft sake in urban underbelly.
| Date | City | Venue | Time | Doors | Capacity | Special Notes |
|---|---|---|---|---|---|---|
| 2026/01/11 (Sun) | Osaka Prefecture | STUDIO PARTITA | 15:00 | 14:00 | ~300 | One-night mystery; all seats reserved |
| Ticket Type | Price |
|---|---|
| All Seats Reserved | ¥6,500 |
| Reseller Pricing (Per Ticket, Subject to Change): All Seats: ¥8,000–¥10,000 | ~10–50 tickets post-general. |
Contact Jasumo through the Jasumo Contact Form to streamline your eplus registration, payment, and pickup. The official platform is eplus (eplus.jp), where first-come general release starts October 19, 2025, 10:00 JST (up to 4 tickets/application; 1 application limit per show).
Payment options include credit card (instant upon completion), convenience store/ATM (7-Eleven, FamilyMart, Lawson/Ministop/Daily Yamazaki, Pay-easy), or online banking (by deadline). Pickup available at 7-Eleven (register) or FamilyMart (multi-copy machine) from October 19, 2025 onward. Jasumo handles bilingual navigation for international users, ensuring seamless general entry, payment via global cards, and physical ticket delivery. Inquiries go to eplus Support at 0570-000-999 (10:00–18:00 JST).
Submit your request through the Jasumo Contact Form with complete details: date, venue, ticket type (all seats reserved), and quantity (e.g., “January 11 STUDIO PARTITA, 2x all seats”). Jasumo offers comprehensive bilingual support, including eplus account creation, first-come general release submission, payment guidance via international credit cards or convenience store instructions, and physical pickup coordination at 7-Eleven/FamilyMart.
Group bookings up to 4 tickets per application are supported, with 1 application limit per show. Apply from October 19, 2025, 10:00 JST (still open)—¥6,500 tickets vanish fast for kaiki jihad savings. Jasumo ensure seamless navigation for international users, from release rush to entry validation.
For performance or ticket issues, contact eplus Support at 0570-000-999 (10:00–18:00 JST). For venue-specific details, visit https://www.studiopartita.com/. Jasumo can relay inquiries in English and Japanese, ensuring clear communication with organizers.
Jasumo provide a specialized facilitation service for foreign tourists and non-Japanese residents in Japan, assisting with ticket acquisition through authorized platforms like eplus. We are not a ticket reseller and do not sell tickets directly.
Our role is to guide international customers through the official booking process, addressing challenges such as language barriers, local platform navigation, payment methods, and high-demand first-come releases. Securing tickets is not guaranteed. Apply via Jasumo from October 19, 2025 to access official ¥6,500 pricing and avoid resales. For travel planning, Jasumo can coordinate with Osaka Tourism.
A: Kaiki rampage (~120–150 min). Core: “Freak Show Hell” mysteries, demon parades, boundary-shattering performances, Red Cape narratives. Subject to change; no intermission—relentless madness relay.
A: Yes—Jasumo provide full bilingual support for eplus first-come general release applications, including account setup, payment via global cards or convenience store guidance, and physical pickup at 7-Eleven/FamilyMart. Contact via the Jasumo Contact Form with your quantity (up to 4 tickets/application, 1 application limit).
A: Preschool children not admitted. Ages 3+ require tickets at ¥6,500. No lap-sitting; theatrical, high-energy—bring earplugs for sensitivities.
A: All seats reserved with limited options; contact eplus (0570-000-999) post-release for priority. No re-entry; late entry may limit views; entry by ticket number order.
A: Strawberry Song Orchestra’s Kaiki Daisakusen – Return of the Freak Show Hell Chapter at ~300-capacity STUDIO PARTITA—one-night mystery carnival reviving “Freak Show Hell” with demon parades and Red Cape mysteries in pitch-black chaos. This theatrical jihad revives grotesque swells and new incidents for a kaiki odyssey of anthemic arcs and fan-fueled falsettos.
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