Dutch psychedelic funk quartet YIN YIN return to Japan for a three-city autumn tour across Osaka, Nagoya, and Tokyo. Blending 1960s and 1970s Southeast Asian psych-rock with disco rhythms, electronic synths, and Japanese traditional folk influences, the band’s high-energy live performances offer one of the most distinctive cross-cultural concert experiences of the year.
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Contact Jasumo Now →Formed in Maastricht, Netherlands, YIN YIN Japan Tour emerged from a shared fascination with vintage Asian pop, global funk, and disco. Co-founded by percussionist Kees Berkers and guitarist Yves Lennertz, the project initially drew heavily from 1960s Thai luk thung and molam cassette recordings, blending oriental pentatonic melodies with hypnotic western groove sections. Following early releases that captured the attention of international record collector circles, the group expanded into a full touring unit, welcoming bassist Remy Scheren, synthesizer player Robbert Verwijlen, and guitarist Erik Bandt, who joined the line-up following Lennertz’s departure.
The band’s discography documents an ongoing exploration of global psych-funk fusion. Their 2019 debut album, The Rabbit That Hunts Tigers, established their trademark sound: instrumental grooves driven by motorik drums, swirling analogue synths, and intricate surf-guitar riffing. Subsequent records, including The Age of Aquarius and their 2024 full-length release Mount Matsu, deepened these sonic textures. Mount Matsu in particular marked a thematic shift toward Japanese musical heritage, taking inspiration from min’yō folk traditions, kayōkyoku melodies, and vintage synth-pop aesthetics.
Live on stage, YIN YIN transform their studio compositions into extended jams and danceable instrumental sets. Rather than adhering strictly to studio arrangements, the band uses their live performances as a platform for rhythm-driven improvisation, blending cosmic disco, funk grooves, and oriental psych melodies into a continuous sonic journey. Their upcoming 2026 tour represents a return to the culture and musical landscapes that directly inspired their recent recordings.
Attending a YIN YIN concert in Japan offers a rare cultural synergy. The band’s compositions pay homage to traditional Japanese melodic structures and vintage Asian vinyl culture; hearing these pieces performed live in intimate Japanese live houses creates an atmosphere quite unlike their European festival appearances.
Japan’s live venues, or live houses, are renowne for their exceptional sound engineering, respectful yet passionate audiences, and focuse acoustic environments. Venues such as Spotify O-EAST in Shibuya and the Club Quattro halls in Osaka and Nagoya provide ideal staging for YIN YIN’s multi-layered instrumental arrangements, ensuring every synth line and percussion accent is delivere with total clarity.
| Ticket Category | Available Seats / Tiers (JPY) | USD Reference Range |
| General Admission (Standing) | ¥6,500 – ¥9,800 | $42 – $63 |
| Ticket Category | Available Seats / Tiers (JPY) | USD Reference Range |
| General Admission (Standing) | ¥6,500 – ¥9,800 | $42 – $63 |
| Ticket Category | Available Seats / Tiers (JPY) | USD Reference Range |
| General Admission (Standing) | ¥6,500 – ¥9,800 | $42 – $63 |
Note on Ticket Pricing: Ticket prices change over time with availability and demand, and are confirmed at the time of enquiry.
Ticketing Conditions:
International fans visiting Japan routinely encounter technical barriers when attempting to purchase live event tickets independently:
Every order processe by Jasumo is fully authenticated prior to handover, guaranteeing valid admission. Physical passes or paper entry vouchers are safely delivere directly to your hotel front desk or Airbnb address across Japan by registered post or courier. A bespoke service fee applies to cover authentication, procurement, and local logistics, which is fully outline when you contact our concierge team.
Jasumo arranges paper tickets or physical passes to be delivered directly to your hotel or accommodation in Japan via local post or courier service prior to the show date.
Yes, live house shows at Spotify O-EAST, Umeda Club Quattro, and Nagoya Club Quattro are general admission standing events. Entry order is determined by the reference number printed on your ticket.
A standard platform usage fee of ¥2,500 per ticket applies to cover operational costs other than the face value of the ticket itself. Final ticket prices and concierge service fees are confirmed when you contact us.
Intimate venues like Spotify O-EAST and Club Quattro have limited capacity. Given the band’s strong international and local followings, shows frequently sell out ahead of performance dates.
Most Japanese live houses require a compulsory drink fee of approximately ¥600 in cash per person at the entrance door. Standard venue age restrictions apply.
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