The Kitakyushu Sacred Music Research Society returns in 2026 with a special concert dedicated to the beauty and depth of sacred choral music. The programme brings together two works from very different musical periods, creating an interesting contrast throughout the evening. Robert Schumann’s Missa Sacramento represents the rich harmonic language of the Romantic era, while Giovanni Pierluigi da Palestrina’s Mass of the Assumption of Mary reflects the calm and balanced character of Renaissance polyphony. The choir has developed a strong connection with religious choral repertoire through its careful preparation and long-term study. Under conductor Kiyohito Uesugi, the singers will explore the unique character of both compositions while maintaining the clarity and balance required by this demanding music.
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Contact Jasumo Now →The Kitakyushu Sacred Music Research Society places Schumann’s Missa Sacramento at the heart of this year’s program. Schumann’s sacred music receives less attention than some of his better-known Romantic works, making a live performance particularly interesting for listeners who want to explore his broader musical output. The composition combines expressive harmonies with a reflective spiritual character. In contrast, Palestrina’s Mass of the Assumption of Mary relies on flowing vocal lines and carefully developed counterpoint. Hearing these works together allows audiences to notice how composers from different centuries approached sacred music in very different ways. Organist Nozomi Fukuda will accompany the choir, adding another layer of depth to the performance and supporting the structure of both works.
The Kitakyushu Sacred Music Research Society offers an experience that depends heavily on the natural sound of live voices. Choral music can change significantly depending on the performance space, especially when the repertoire contains complex harmonies and multiple vocal lines. Hearing Palestrina’s smooth Renaissance polyphony alongside Schumann’s richer Romantic writing allows listeners to appreciate these differences directly. The organ accompaniment also adds warmth and depth to the overall sound. Furthermore, the dedication of an amateur ensemble focused specifically on sacred music gives the concert a personal quality. Performers spend considerable time studying phrasing, pronunciation, balance, and musical expression, and that preparation becomes clear during the live performance.
The Kitakyushu Sacred Music Research Society 2026 concert is a compelling choice for classical music enthusiasts visiting Fukuoka Prefecture. The event provides an opportunity to hear less frequently performed sacred repertoire. While discovering a dedicated part of Japan’s local choral community. For international visitors, attending a regional concert can also offer a different perspective on Japanese culture beyond the country’s major tourist attractions. Jasumo can assist overseas guests with Japanese ticketing, making the booking process easier. When local platforms create language or access difficulties. With Schumann and Palestrina sharing the same programme. The concert promises a thoughtful journey through two very different periods of sacred music. For listeners who appreciate choral traditions, Renaissance polyphony, or Romantic music, this performance offers a memorable evening in Fukuoka.
Sunday, September 20, 2026 – Kitakyushu City Tobata Civic Hall, Medium Hall (Fukuoka Prefecture)
| Ticket Category | Available Seats From – To (JPY) | (USD, ref.) |
| General Admission | ¥2,000 | $13 – $15 |
Note: Ticket prices change over time with availability and demand and are confirmed at the time of inquiry.
Ticketing Conditions: General admission seating. Children under school age are not permitte to enter.
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The concert takes place at the Kitakyushu City Tobata Civic Hall, Medium Hall, located in Fukuoka Prefecture. It is accessible via local public transport networks in Kitakyushu City.
The program features a compelling contrast between Palestrina’s Mass of the Assumption of Mary and Schumann’s Missa Sacramento, conducted by Kiyohito Uesugi with organ accompaniment by Nozomi Fukuda.
No, children under school age are strictly not permitte to enter the venue.
We arrange secure delivery directly to your hotel, ryokan, or Airbnb accommodation in Japan prior to the performance date.
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