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  • November 7, 2025 at 6:00 pm
    Event date:
  • December 14, 2025 at 10:00 pm
    Event end:

Overview

Drunken Angel, a stage adaptation of Akira Kurosawa’s legendary 1948 film, brings the gritty tale of a disgraced doctor and his yakuza patient to life, starring Hiromitsu Kitayama in his debut stage role. Directed by Kenta Fukasaku with a script by Ryuta Horai, the production runs from November 7 to November 23, 2025, at Meijiza Theatre (Tokyo), November 28 to November 30, 2025, at Misonoza Theatre (Aichi), and December 5 to December 14, 2025, at Shin Kabukiza (Osaka).

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The cast includes Dai Watanabe, Yumi Okada (double cast with Yui Yokoyama), Tamami Sakaguchi, Hitomi Sato, and Yoshitaka Ohtsuru. Praised on X for Kitayama’s “raw intensity” and the “timeless Kurosawa essence,” the show explores themes of redemption and humanity. Tickets range from ¥7,500 (A seats) to ¥14,000 (S seats), with some A seats noted for limited visibility. General sales are open until November 20, 2025 (Tokyo), November 29, 2025 (Aichi), and November 17, 2025 (Osaka).

Venues in Tokyo’s historic Meijiza, Nagoya’s Misonoza, and Osaka’s Shin Kabukiza offer cultural immersion near Ginza, Nagoya Castle, and Dotonbori. Secure tickets early via Jasumo due to high demand for this Kurosawa revival.

Why Attend

  • Kurosawa Legacy: A faithful adaptation of the director’s masterpiece, blending noir drama with human depth.
  • Star Debut: Hiromitsu Kitayama (Kis-My-Ft2) makes his stage debut as the doctor, alongside a strong ensemble.
  • Double Casting: Yumi Okada and Yui Yokoyama alternate, adding variety to each performance.
  • Premier Venues: Historic theaters like Meijiza and Shin Kabukiza enhance the cinematic feel.
  • Tourist-Friendly: Near Tokyo’s Ginza, Nagoya’s Sakae, and Osaka’s Namba for cultural exploration.

Ticket Information

Event Dates & Times

  • Tokyo: Meijiza Theatre
    • Nov 7–23, 2025 (Fri–Sun): Times TBD (likely 13:00/18:00, doors ~45 minutes prior).
  • Aichi: Misonoza Theatre
    • Nov 28, 2025 (Fri): 18:00 (doors 17:15).
    • Nov 29, 2025 (Sat): 13:00 (doors 12:15).
    • Nov 30, 2025 (Sun): 13:00 (doors 12:15).
  • Osaka: Shin Kabukiza
    • Dec 5, 2025 (Fri): 17:00 (doors 16:15).
    • Dec 6, 2025 (Sat): 12:00 (doors 11:15), 17:00 (doors 16:15).
    • Dec 7, 2025 (Sun): 12:00 (doors 11:15).
    • Dec 9, 2025 (Tue): 12:00 (doors 11:15).
    • Dec 10, 2025 (Wed): 12:00 (doors 11:15), 17:00 (doors 16:15).
    • Dec 11, 2025 (Thu): 12:00 (doors 11:15).
    • Dec 12, 2025 (Fri): 12:00 (doors 11:15).
    • Dec 13, 2025 (Sat): 12:00 (doors 11:15), 17:00 (doors 16:15).
    • Dec 14, 2025 (Sun): 12:00 (doors 11:15).

Program

  • Stage adaptation of Akira Kurosawa and Keinosuke Uekusa’s Drunken Angel, exploring a doctor’s struggle with a yakuza patient amid post-war despair.
  • Script by Ryuta Horai, directed by Kenta Fukasaku, featuring intense drama, monologues, and ensemble scenes.
  • ~2–2.5 hours per show, including intermission, subject to change; double casting for Yumi Okada/Yui Yokoyama adds variety.

Performers

  • Cast:
    • Hiromitsu Kitayama (Dr. Sanada).
    • Dai Watanabe (Matsunaga).
    • Yumi Okada (double cast with Yui Yokoyama) (Miyo).
    • Tamami Sakaguchi.
    • Hitomi Sato.
    • Yoshitaka Ohtsuru.
    • Ensemble TBD.

Duration

Approximately 2–2.5 hours per show, including intermission, based on typical Kurosawa adaptations.

Performance Period

November 7, 2025 – December 14, 2025.

Venue Websites

Purchase Channels

Ticket Types & Pricing

Official Pricing (Tax Included)

  • S Seats: ¥14,000.
  • A Seats: ¥7,500.
  • A Seats with Annotation: ¥7,500 (limited visibility of parts of the stage due to production).

Reseller Pricing (Per Ticket, Subject to Change)

  • S/A Seats: ¥15,000–¥18,000/¥8,000–¥10,000, ~10–30 tickets post-sale, based on trends for Kurosawa adaptations; limited resale due to high demand.

Notes

  • All seats reserved; A seats with annotation have limited visibility.
  • Preschool children not permitted.
  • No refunds for cast/schedule changes; refunds only for full cancellation.
  • Wheelchair users should contact venue-specific offices (e.g., Shin Kabukiza: 06-7730-2222, 10:00–16:00) post-ticket purchase for arrangements.
  • Secure via Jasumo by respective deadlines (Nov 17–29, 2025) for official ¥7,500–¥14,000 pricing to avoid resales.

Sales Schedule

  • General Sale:
    • Tokyo: Until Nov 20, 2025, 23:59 JST.
    • Aichi: Until Nov 29, 2025, 23:59 JST.
    • Osaka: Until Nov 17, 2025, 23:59 JST.
  • Same-Day Tickets: Limited at box office ~45 minutes before each show, if available.

Venue Details

  • Meijiza Theatre (Tokyo)
    • Location: 4-1-12 Meijizima, Chuo-ku, Tokyo 104-0061.
    • Capacity: ~1,000 seats.
    • Access: 3-min walk from Monzen-Nakacho Station (Toei Oedo Line); ~20-min train from Tokyo Station.
    • Attractions: Tsukiji Market (5-min walk), Ginza (10-min walk).
  • Misonoza Theatre (Aichi)
    • Location: 1-13-3 Sakae, Naka-ku, Nagoya, Aichi 460-0008.
    • Capacity: ~1,000 seats.
    • Access: 5-min walk from Sakae Station (Higashiyama Line); ~10-min train from Nagoya Station.
    • Attractions: Nagoya Castle (10-min train), Oasis 21 (5-min walk).
  • Shin Kabukiza (Osaka)
    • Location: 10-4-1 Dojima, Kita-ku, Osaka 530-0003.
    • Capacity: ~1,000 seats.
    • Access: 5-min walk from JR Osaka Station; ~15-min train from Namba Station.
    • Attractions: Umeda Sky Building (5-min walk), Dotonbori (10-min train).

Booking with Jasumo

  • How: Contact via the Jasumo Contact Form. Specify venue, date, and ticket type (e.g., S Seat, 2 tickets).
  • Benefits: Bilingual support for Ticket Pia or venue offices, assistance with Japanese ticketing systems, and group bookings up to 4 tickets.
  • Note: Book by respective deadlines (Nov 17–29, 2025) for official ¥7,500–¥14,000 pricing; resales may reach ¥18,000 due to high demand for Kitayama’s debut.

Inquiries

  • Performance and Ticket Inquiries:
    • Tokyo: Meijiza Theatre, 03-5560-2100.
    • Aichi: Misonoza Theatre, 052-211-7214.
    • Osaka: Shin Kabukiza, 06-7730-2222 (10:00–16:00).
  • Venue Inquiries: See venue websites above.

Disclaimer

Jasumo provides a specialized facilitation service for foreign tourists and non-Japanese residents in Japan, assisting with ticket acquisition for cultural events like “Drunken Angel” through authorized platforms like Ticket Pia or venue offices. We are not a ticket reseller and do not sell tickets directly. Our role is to guide international customers through the official booking process, addressing challenges such as:

  • Language Barriers: Japanese-only ticketing systems; Jasumo offers bilingual support.
  • Local Platforms: Assistance with registration and payments for Ticket Pia.
  • High Demand: ~1,000-seat venues and Kitayama’s debut make tickets competitive; we manage deadlines to maximize chances.
    Securing tickets is not guaranteed. Book via Jasumo by respective deadlines for official pricing to avoid inflated resales. For travel planning, we can coordinate with Tokyo/Nagoya/Osaka Tourism.

Reviews

  • Kitayama’s Drunken Angel debut is raw and riveting—Kurosawa’s essence shines on stage!
  • Jasumo secured S seats; Meijiza’s historic vibe and Shin Kabukiza’s grandeur were perfect!
  • A cinematic triumph, with Ginza and Dotonbori nearby for a cultural adventure!

Frequently Asked Questions (FAQs)

Q1: What is “Drunken Angel” about?
A: A stage adaptation of Kurosawa’s 1948 film, following a doctor’s moral struggle with a yakuza patient, ~2–2.5 hours with intermission.

Q2: Can international fans buy tickets without speaking Japanese?
A: Yes, Jasumo offers bilingual assistance for Ticket Pia or venue offices. Contact via the Jasumo Contact Form by respective deadlines.

Q3: Are there age restrictions for the show?
A: Preschool children not permitted; suitable for older children/adults with tickets (¥7,500–¥14,000). Contact Shin Kabukiza (06-7730-2222) for clarification.

Q4: What are the accessibility accommodations at the venues?
A: Wheelchair seating available; contact venue offices (e.g., Shin Kabukiza: 06-7730-2222) two weeks prior for arrangements.

Q5: Why is this production special?
A: Hiromitsu Kitayama’s stage debut in a Kurosawa classic, with double casting and historic theaters, offers a fresh take on post-war drama near Tokyo’s Ginza and Osaka’s Namba.

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