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  • March 31, 2026 at 7:00 pm
    Event date:
  • March 31, 2026 at 9:00 pm
    Event end:

Overview

DS presents The World of Hattori Mone at Sumida Triphony Hall Main Hall is a daring, intellectually charged orchestral summit spotlighting Mone Hattori (born 1999 in Tokyo), the prodigious violinist whose crystalline tone and fearless interpretive depth have earned her global acclaim since her 2013 Menuhin Competition Junior 1st Prize at age 14, evolving through triumphs at the 2015 Hannover International (3rd), 2018 Montreal (2nd), and 2023 Paganini (5th) competitions.

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In this one-night 20th-century odyssey on Tuesday, March 31, 2026, she tackles two monumental violin concertos—Schoenberg’s Violin Concerto, Op. 36 (1936, a 12-tone labyrinth of angular beauty) and Shostakovich’s Violin Concerto No. 2 in C-sharp minor, Op. 129 (1967, a late-period meditation on mortality)—framed by Mozart overtures (Idomeneo and La Clemenza di Tito), under the baton of Tatsuya Shimono, Music Director of the Hiroshima Symphony and a maestro known for lucid structural insight.

The New Japan Philharmonic (NJP) provides the sonic canvas for this ~120-minute program (with intermission), blending Classical elegance with modernist fire. Doors open at 18:15 for a 19:00 start, promising a “future-reaching” sonic voyage in the acoustically revered Sumida Triphony Hall Main Hall (~1,800 seats), a Kinshicho landmark.

Hailed on X as “Hattori’s boldest statement yet” and “Shimono’s modernist mastery,” this DS Production—part of NJP’s 2026 season—celebrates Hattori’s ascent as Japan’s leading young violin voice. Tickets ¥7,000 (S) / ¥5,000 (A) via poco member presale (until Oct 31, 2025, 23:59 JST) and general release from November 1, 2025, 10:00 JST on e+. Secure via NJP Ticket Box—this cerebral summit is primed for swift sellout.

Why Attend

  • Violinist of the Moment: Mone Hattori, now 26, delivers Schoenberg’s atonal architecture and Shostakovich’s soul-baring cadenzas with the poise of a veteran—her “stunning virtuosity and passion” in full bloom.
  • Concerto Double-Dare: Two of the 20th century’s most demanding works in one evening—Schoenberg’s cerebral rigor meets Shostakovich’s existential depth, framed by Mozart’s Classical clarity.
  • Shimono’s Precision: Tatsuya Shimono’s architectural conducting elevates NJP to crystalline transparency, making modernist complexity accessible and thrilling.
  • Triphony Triumph: ¥5,000 A seats for balcony brilliance; ~2 hours of boundary-pushing art in a hall famed for warm, detailed acoustics.
  • Kinshicho Cultural Core: Steps from Tokyo Skytree, Sumida Aquarium, and Edo-Tokyo Museum—pair with pre-concert soba or post-gig Asahi views.

Ticket Information

Event Date & Time

  • Tokyo: Sumida Triphony Hall Main Hall
    • March 31, 2026 (Tue): Doors 18:15 | Show 19:00 (~120 min + intermission)

Program

  • Orchestral showcase conducted by Tatsuya Shimono, with Mone Hattori as violin soloist.
  • A ~120-minute modernist journey featuring:
    • Mozart: Overture to Idomeneo, K. 366 (~5 min) – dramatic, stormy elegance
    • Schoenberg: Violin Concerto, Op. 36 (~35 min) – 12-tone virtuosity, angular lyricism
    • Intermission (~20 min)
    • Mozart: Overture to La Clemenza di Tito, K. 621 (~5 min) – serene, noble
    • Shostakovich: Violin Concerto No. 2 in C-sharp minor, Op. 129 (~35 min) – brooding, cadenza-rich, valedictory
  • Subject to change; one intermission—seamless arc from Classical to avant-garde.

Performers

  • Violin Soloist: Mone Hattori (Menuhin, Hannover, Montreal laureate).
  • Conductor: Tatsuya Shimono (Hiroshima SO Music Director).
  • Orchestra: New Japan Philharmonic (full ensemble).

Duration

Approximately 120 minutes + 20-minute intermission.

Performance Period

March 31, 2026 (single performance at Sumida Triphony Hall Main Hall).

Venue Website

Purchase Channels

  • Contact Jasumo for ticket assistance via the Jasumo Contact Form.
  • Official Ticket Platforms:
    • e+ (eplus.jp) — Seat selection (reserved).
  • Poco Member Presale: Now – October 31, 2025, 23:59 JST.
  • General Release: From November 1, 2025, 10:00 JST – March 30, 2026.
  • Inquiries: New Japan Philharmonic Ticket Box: 03-5610-3815 (10:00–18:00 JST).
  • Travel Support: JR East, JR Kinshicho Station (~3-min walk).

Ticket Types & Pricing

Official Pricing (Tax Included)

  • S Seat: ¥7,000 (prime orchestra/balcony front).
  • A Seat: ¥5,000 (mid/rear orchestra, upper balcony).

Reseller Pricing (Per Ticket, Subject to Change)

  • S: ¥8,000–¥10,000; A: ¥6,000–¥7,500; ~20–50 tickets post-general, per NJP/classical demand.

Notes

  • All reserved seating; S = premium views, A = value vantage.
  • Preschool children not admitted; no junior discounts noted.
  • No refunds for changes; full cancellation only (no exchanges); recording prohibited; program subject to tweaks.
  • Lock in via Jasumo by October 31, 2025, 23:59 for poco presale at official rates—~1,800 seats but Hattori-Shimono prestige ensures competition.

Sales Schedule

  • Poco Presale: Now – October 31, 2025, 23:59 JST.
  • General Release: November 1, 2025, 10:00 JST – March 30, 2026.
  • Event Entry: Reserved seat-based; arrive early for program notes.

Venue Details

  • Sumida Triphony Hall Main Hall (Tokyo)
    • Location: 1-2-3 Kinshi, Sumida-ku, Tokyo 130-0013.
    • Capacity: ~1,800 reserved seats.
    • Access: 3-min walk from JR Kinshicho Station (North Exit); 1-min from Oshiage (Skytree).
    • Attractions: Tokyo Skytree (5-min walk), Sumida Aquarium (3-min), Edo-Tokyo Museum (10-min).

Booking with Jasumo

  • How: Contact via the Jasumo Contact Form. Specify date, seat type (e.g., S seat, 2 tickets).
  • Benefits: Bilingual e+ presale navigation, Japanese platform setup and e-ticket delivery, group bookings up to 8 tickets.
  • Note: Act by October 31, 2025, 23:59 for poco access—S seats ¥7,000 are moving fast.

Inquiries

  • Performance and Ticket Inquiries:
    • New Japan Philharmonic Ticket Box: 03-5610-3815.
  • Venue Inquiries: https://www.triphony.com/.

Disclaimer

Jasumo provides a specialized facilitation service for foreign tourists and non-Japanese residents in Japan, assisting with ticket acquisition for cultural events like DS presents The World of Hattori Mone at Sumida Triphony Hall Main Hall through authorized platforms like e+. We are not a ticket reseller and do not sell tickets directly. Our role is to guide international customers through the official booking process, addressing challenges such as:

  • Language Barriers: Japanese-only ticketing systems; Jasumo offers bilingual support.
  • Local Platforms: Assistance with registration, payments, and e-ticket delivery.
  • High Demand: ~1,800-seat venue and Hattori’s modernist dare create presale pressure; we manage deadlines for best odds. Securing tickets is not guaranteed. Book via Jasumo by October 31, 2025, 23:59 for official ¥5,000–¥7,000 pricing to avoid resales. For travel planning, we can coordinate with Sumida/Tokyo Tourism.

Reviews

  • Hattori’s Schoenberg soared, Shostakovich wept—Triphony acoustics made every note sing!
  • Jasumo secured S seats; Mozart frames + modernist fire = Kinshicho masterpiece!
  • Shimono’s baton, NJP’s depth, Hattori’s soul—20th-century violin redefined!

Frequently Asked Questions (FAQs)

Q1: What is the program for DS presents The World of Hattori Mone?

A: Mozart Idomeneo Overture, Schoenberg Violin Concerto, Mozart La Clemenza di Tito Overture, Shostakovich Violin Concerto No. 2; ~120 min + intermission, subject to change.

Q2: Can international fans buy tickets without speaking Japanese?

A: Yes, Jasumo offers bilingual e+ presale help. Contact via the Jasumo Contact Form by October 31, 2025.

Q3: Are children allowed, and what are the policies?

A: No preschoolers; 4+ admitted with ticket (¥5,000+); no junior discounts.

Q4: What are the accessibility accommodations at the venue?

A: Reserved with priority; contact NJP Ticket Box (03-5610-3815) post-purchase for wheelchair setups.

Q5: Why is this event special?

A: Mone Hattori’s bold double-concerto challenge (Schoenberg + Shostakovich) in ~1,800-seat Triphony Hall, with Shimono and NJP, bridging Classical and modernist worlds.

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