The FUJINON MKX50-135mmT2.9 is a professional telephoto cinema zoom lens specifically designed for Fujifilm X-mount cameras. Complementing the 18-55mm lens, this optic covers a medium telephoto to telephoto range (equivalent to 76 millimeter to 206 millimeter in 35mm format) with a consistent, fast T2.9 aperture.
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Contact Jasumo Now →Ideal for filmmakers traveling in Japan, this lens excels at capturing isolated subjects, compelling emotional close-ups, and distant action with shallow depth of field. Its cinema-grade mechanics offer precise, repeatable control for professional video production across cities, nature, and events.
Renting the FUJINON MKX50-135mmT2.9 allows Fujifilm X-mount users to achieve cinematic compression and beautifully blurred backgrounds in their travel films. Its specialized video features ensure that your workflow remains professional, fluid, and consistent, regardless of the shooting location in Japan.
The lens construction includes 22 elements in 17 groups, featuring a number of ED and Super ED elements to ensure minimal color fringing and high optical resolution across the zoom range. The constant T2.9 aperture means you can zoom in without worrying about light loss, which is essential for shooting video in natural light or controlled studio settings.
Designed for precision filmmaking, it incorporates three manual control rings for Focus, Zoom, and Iris. The Focus ring has an extended 200-degree rotation angle for accurate focus pulls, and the Iris ring operates without clicks for seamless exposure adjustments. All control rings share the industry-standard 0.8 module gear pitch for easy integration with professional follow focus and motor systems.
| Feature | Specification |
| Focal Length | 50 to 135 millimeter (76mm-206mm equivalent) |
| T-Stop | T2.9 (Constant) |
| Minimum Focusing Distance | 1.2 meter (0.85m in macro mode at wide end) |
| Filter Size | 82 millimeter |
| Weight | 1,100 grams |
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The constant T2.9 aperture, combined with a 9-blade circular iris, produces smooth, aesthetically pleasing background blur (bokeh) that is characteristic of cinema lenses. The telephoto focal length further enhances subject separation and background compression, giving your footage a professional, shallow-depth-of-field look.
Unlike a photo lens designed for quick AF, this cinema lens has a 200-degree focus rotation angle and geared rings. This design allows for much finer and more precise manual focus adjustments over a large physical turn, which is essential for accurate focus pulling during video takes.
At its weight of 1,100 grams and its telephoto focal length, handheld shooting will be challenging for long periods. It is highly recommended to use the included tripod mount or a video rig (such as a monopod or shoulder rig) to ensure stable, high-quality cinematic shots.
The normal minimum focusing distance is 1.2 meters. However, the lens has a hidden macro mode that can be activated to allow focusing as close as 0.85 meter at the wide (50mm) end. This provides excellent flexibility for capturing detailed, close-up shots when needed.
Yes, these two lenses are designed as a matching pair. They both feature the same T2.9 constant aperture, the same filter size (82mm), and share identical 0.8 module gear pitches and lens barrel lengths, ensuring a seamless and consistent workflow when switching between the two on a video rig.
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