MEI SEMONES JAPAN TOUR 2026 is an intimate, bilingual indie-pop voyage by Mei Semones (born 1997 in Ann Arbor, Michigan), the Brooklyn-based singer-songwriter with Japanese roots whose jazz-infused, genre-blending sound—melding bossa nova grooves, lo-fi confessions, and shimmering guitar lines with lyrics in English and Japanese—has earned her acclaim since her 2022 relocation to New York, highlighted by EPs like Kabutomushi (2024) and the debut album Animaru (May 2025), featuring tracks such as “Zarigani” and “I Can Do What I Want” that evoke nostalgic tides and self-assured vulnerability.
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Contact Jasumo Now →This six-city Japanese pilgrimage—her first full nationwide tour after Fuji Rock triumphs and The First Take virality—spans January 23 to January 30, 2026, across Tokyo, Nagoya, Osaka, Hiroshima, Fukuoka, and Okinawa, delivering ~90–120 minute “animaru” (animal-inspired) sonic siestas of Animaru deep cuts, bossa ballads, and live-looped landscapes with opener Suzu Toyama on select dates.
Kicking off in Tokyo’s duo MUSIC EXCHANGE on January 23 (Fri), 19:00 (doors 18:00), hitting Nagoya’s Live & Lounge Vio on January 24 (Sat), 19:00 (doors 18:30), Osaka’s Shangri-La on January 25 (Sun), 18:00 (doors 17:00), Hiroshima’s CLUB QUATTRO on January 27 (Tue), 19:00 (doors 18:00), Fukuoka’s BEAT STATION on January 28 (Wed), 19:00 (doors 18:00), and climaxing at Okinawa’s Sakurazaka Central on January 30 (Fri), 18:00 (doors 17:00), it’s a “post-bossa pilgrimage” of quirky confessions and cinematic strings.
Hailed on X as “Mei’s Japanese jazz jaunt” and “sonic siesta serenity,” this Bayonet Records/Domestic Laundromat production—post her 2025 U.S. tours with Hippo Campus—promises “No second-guessing” voyage with regional resonances.
Tickets ¥7,800 (advance standing, drink separate) via general release on eplus from August 23, 2025, 10:00 JST (Hiroshima example); similar for others. Secure via eplus—this animaru adventure is primed for swift sellouts.
Immerse in Mei’s Japanese jazz jaunt—her bossa-nova ballads and lo-fi confessions cascade through “Zarigani” quirks and “I Can Do What I Want” whims, live in venues that amplify her “animaru” (animal) instincts with Suzu Toyama openers and regional ripples.
Revel in 6-city sonic siesta: from Tokyo’s DIY duo to Okinawa’s Sakurazaka serenity, each a unique voyage with post-Fuji Rock fervor and Kabutomushi nostalgia. Embrace indie integrity: Berklee-trained sonic saviors scouting her voyage through 90–120 minute live-looped landscapes and crowd-swaying swells. Savor value vortex: ¥7,800 advance standing (drink ~¥600 separate) for hazy harmonic havens; no fees on eplus, unbeatable for indie-pop pilgrims.
Nestle in city-specific sonic nexuses: Tokyo’s Shibuya scrambles, Nagoya’s Oasis oases, Osaka’s Dotonbori dazzles, Hiroshima’s Peace Park reflections, Fukuoka’s yatai feasts, Okinawa’s Sakurazaka sunsets—pre-show ramen or post-pit craft sake.
| Date | City | Venue | Time | Doors | Capacity | Special Notes |
|---|---|---|---|---|---|---|
| 2026/01/23 (Fri) | Tokyo | duo MUSIC EXCHANGE | 19:00 | 18:00 | ~500 | Tour opener; Shibuya sonic siesta |
| 2026/01/24 (Sat) | Nagoya | Live & Lounge Vio | 19:00 | 18:30 | ~300 | Chubu confessions; standing ¥7,800 |
| 2026/01/25 (Sun) | Osaka | Shangri-La | 18:00 | 17:00 | ~400 | Kansai quirks; drink separate |
| 2026/01/27 (Tue) | Hiroshima | CLUB QUATTRO | 19:00 | 18:00 | ~500 | Chugoku cinematic strings; advance ¥7,800, general Aug 23, 2025 |
| 2026/01/28 (Wed) | Fukuoka | BEAT STATION | 19:00 | 18:00 | ~800 | Kyushu’s bossa ballads |
| 2026/01/30 (Fri) | Okinawa | Sakurazaka Central | 18:00 | 17:00 | ~1,000 | Tour triumph; regional resonances |
Program (All Dates): Indie-pop pilgrimage (~90–120 min + encore). Core: “Zarigani”, “I Can Do What I Want”, Animaru deep cuts, Kabutomushi confessions. Subject to change; no intermission—relentless rock relay. Performers: Mei Semones (guitar/vocals; opener Suzu Toyama select dates).
| Ticket Type | Price |
|---|---|
| Standing (Advance) | ¥7,800 (drink separate ~¥600) |
Reseller Pricing (Per Ticket, Subject to Change): Standing: ¥8,500–¥10,000 | ~20–50 tickets per show post-general.
Contact Jasumo via the Jasumo Contact Form to streamline your eplus registration, payment, and pickup. The official platform is eplus (eplus.jp), where general release applications begin August 23, 2025, 10:00 JST (up to 4 tickets/application; 1 application limit per show).
Payment options include credit card (instant upon completion), convenience store/ATM (7-Eleven, FamilyMart, Lawson/Ministop/Daily Yamazaki, Pay-easy), or online banking (by deadline). Pickup is available at 7-Eleven (register) or FamilyMart (multi-copy machine) from January 16, 2026, 14:00 JST onward.
Jasumo handles bilingual navigation for international users, ensuring seamless first-come entry, payment via global cards, and e-ticket or physical delivery. Inquiries go to eplus Support at 0570-000-999 (10:00–18:00 JST).
Submit your request through the Jasumo Contact Form with complete details: date, venue, ticket type (standing), and quantity (e.g., “January 27 Hiroshima CLUB QUATTRO, 2x standing”). Jasumo offers comprehensive bilingual support, including eplus account creation, general release submission, payment guidance via international credit cards or convenience store instructions, and e-ticket delivery or physical pickup coordination at 7-Eleven/FamilyMart.
Group bookings up to 4 tickets per application are supported, with 1 application limit per show. Apply early from August 23, 2025—¥7,800 standing tickets vanish fast for sonic siesta savings. Jasumo ensures seamless navigation for international users, from first-come entry to entry validation.
For performance or ticket issues, contact eplus Support at 0570-000-999 (10:00–18:00 JST). For venue-specific details, visit:
Jasumo provides a specialized facilitation service for foreign tourists and non-Japanese residents in Japan, assisting with ticket acquisition through authorized platforms like eplus. We are not a ticket reseller and do not sell tickets directly.
Our role is to guide international customers through the official booking process, addressing challenges such as language barriers, local platform navigation, payment methods, and high-demand general releases. Securing tickets is not guaranteed. Apply via Jasumo from August 23, 2025 to access official ¥7,800 pricing and avoid resales. For travel planning, Jasumo can coordinate with regional tourism boards.
A: Indie-pop pilgrimage (~90–120 min + encore). Core: “Zarigani”, “I Can Do What I Want”, Animaru deep cuts, Kabutomushi confessions. Suzu Toyama opener (select dates). Subject to change; no intermission—relentless rock relay.
A: Yes—Jasumo provides full bilingual support for eplus general release applications, including account setup, payment via global cards or convenience store guidance, and e-ticket/physical pickup at 7-Eleven/FamilyMart. Contact via the Jasumo contact form with your date, venue, and quantity (up to 4 tickets/application, 1 application limit per show).
A: Elementary+ require tickets at ¥7,800. Preschoolers free on lap (1 per adult, no seat occupied). No lap-sitting in standing areas; family-friendly but hazy—bring earplugs for sonic sensitivities.
A: Standing format with limited options; contact eplus Support (0570-000-999) post-purchase for wheelchair/priority access. Venue footage may capture attendees for public use (news/social media). No re-entry; late entry may limit stage views.
A: Mei Semones’ JAPAN TOUR 2026 across 6 cities—Tokyo’s DIY duo, Nagoya’s Vio voyage, Osaka’s Shangri-La serenity, Hiroshima’s Quattro quirks, Fukuoka’s Beat Station bossa, Okinawa’s Sakurazaka sunsets—featuring jazz-infused indie-pop with Suzu Toyama opener and Animaru sonic siestas in 300–1,000-capacity venues. This bossa-nova ballad pilgrimage—post-Fuji Rock fervor and Kabutomushi nostalgia—revives “Zarigani” quirks and “I Can Do What I Want” whims for a sonic siesta serenity of tender tides and bilingual longings.
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