Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Lens Rental in Japan

Product Summary:

The Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED is a highly portable ultra-wide-angle zoom lens designed exclusively for Nikon’s DX (APS-C) format cameras. It covers an extreme wide-angle range of 10mm to 24mm, making it ideal for capturing expansive landscapes, dramatic architecture, and small interiors in Japan.

This translates to a full-frame equivalent field of view of 15mm to 36mm. The lens is optimized to exaggerate perspective and features premium optics, including ED and Aspherical elements, to ensure high image quality and effective correction of distortion and color bleeding.

Quick Highlights:

• DX Ultra-Wide: Designed specifically for Nikon crop-sensor cameras, providing a 15mm to 36mm equivalent field of view.
• Extreme Perspective: The 10mm wide end is perfect for exaggerating perspective and capturing large scenes in tight spaces.
• Quiet Autofocus: Utilizes the Silent Wave Motor (SWM) for fast, quiet, and precise autofocus operation.
• Compact and Lightweight: Highly portable, weighing approximately 460 grams, ideal for travel.
• Quality Correction: Includes 2 ED and 3 Aspherical elements to control distortion, color fringing, and aberrations.
• Close Focus: Minimum focusing distance of 0.24m (AF) and 0.22m (MF) across the zoom range.

Product Details / Description:

This 10-24mm lens is an essential tool for DX shooters looking to master wide-angle composition. Its ability to capture a massive 109 degree angle of view allows photographers to immerse viewers in the scene, highlighting foreground elements while encompassing sweeping backgrounds. It is perfect for capturing the scale of ancient temples, mountain ranges, or busy city intersections.

About the Product

The AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED features an optical construction of 14 elements in 9 groups. To achieve high sharpness and minimize the complex distortions that arise in ultra-wide zoom designs, it incorporates two Extra-low Dispersion (ED) glass elements and three Aspherical lens elements. These elements work together to correct color bleeding and geometric distortions across the zoom range.

The SWM (Silent Wave Motor) ensures the autofocus is quick and unobtrusive, which is beneficial when photographing in quiet environments. The lens is equipped with a seven-blade circular aperture diaphragm for smooth out-of-focus areas. Its variable maximum aperture of f/3.5 at 10mm to f/4.5 at 24mm keeps the lens relatively small and light.

Key Features

• 15mm equivalent provides an exceptional ultra-wide perspective.
• SWM drive enables fast and quiet AF shooting.
• Excellent distortion correction for its extreme wide-angle range.
• Minimum focusing distance of 0.24m (AF).
• Standard 77mm filter size.

Technical Specifications

What’s in the box (Included Items):

• AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Lens
• Lens Hood
• Front Lens Cap
• Rear Lens Cap
• Dedicated Case
• Protective Filter (attached to the lens)

Where This Product Can Be Used:

• Landscape Photography: Capturing the full scope of mountains, coastline, and city views.
• Architectural Photography: Fitting entire buildings, temples, and large structures into the frame.
• Interior Photography: Documenting small rooms, shop interiors, or the inside of a car.
• Exaggerated Perspective: Creating dynamic images by placing subjects close to the lens.
• Group Photos: Getting large groups of people into the frame in limited space.

Why Tourists Rent From Us

• English-speaking customer support for easy communication.
• Accept foreign credit cards for hassle-free payment.
• No Japanese phone number required for booking or communication.
• Offer hotel & Airbnb delivery across major Japanese cities.
• Easy return for travelers with convenient shipping options.

Book with Jasumo:

If you are ready to rent this product, you can contact us with the Product Name, the Rental start date and end date, your delivery Location, and other important details you want to share. After we get a request from you, our team will start communicating with you as soon as possible.

Faqs:

Why is the 10mm wide end so useful for shooting in Japan?

In densely packed cities and popular tourist spots like Kyoto or Tokyo, space is often limited. The 10mm focal length (15mm equivalent) allows photographers to capture the entire scale of large subjects—such as temples, plazas, or skyscrapers—even when standing very close to them. It is also perfect for shooting small, confined interiors like traditional Japanese rooms or tight alleyways.

How do the ED and Aspherical elements correct distortion and color bleeding?

The 2 ED (Extra-low Dispersion) glass elements are vital for correcting color bleeding, or chromatic aberration, which is often visible as colored fringes on high-contrast edges. The 3 Aspherical elements are used to correct spherical aberration and distortion, ensuring that the straight lines of buildings and horizons remain straight, which is crucial for architectural and landscape photography.

What does the minimum focusing distance of 0.24m (AF) allow the photographer to do?

A close minimum focusing distance, combined with an ultra-wide angle, is a powerful creative tool. It allows the photographer to get very close to a foreground subject (like a flower, rock, or railing) while still capturing a huge, expansive background. This technique exaggerates the sense of depth and scale, pulling the viewer into the image.

Why is there no VR (Vibration Reduction) in this lens?

VR is less critical on ultra-wide-angle lenses (10mm-24mm) than on telephoto lenses because camera shake is less noticeable at wide angles. Furthermore, most photography at these focal lengths, especially for landscapes or architecture, is done using a tripod or with fast shutter speeds. By omitting VR, Nikon was able to reduce the lens’s size, weight (460 grams), and cost.

What does the variable maximum aperture (f/3.5-4.5) mean in practice?

The maximum aperture is f/3.5 at the 10mm wide end but narrows to f/4.5 at the 24mm telephoto end. This compromise allows the lens to remain compact and affordable compared to a constant f/4 or f/2.8 zoom. In practice, the difference in light transmission is minor, and since most ultra-wide landscape work is done at smaller apertures (like f/8 or f/11), this variable aperture is not a significant drawback.