The Olympus M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 is an ultra-compact and incredibly lightweight wide-angle zoom lens. It covers a versatile range equivalent to 18mm to 36mm in the 35mm format, making it the perfect lens for capturing broad landscapes, intricate Japanese architecture, and dynamic street scenes.
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Contact Jasumo Now →At only about 155g, this lens is highly portable—significantly smaller than comparable lenses—and features a retractable design, ensuring it takes up minimal space in your travel bag. Its fast and quiet autofocus makes it an excellent, discreet choice for any travel photographer.
This lens is a favorite among travelers for its remarkable balance of wide-angle capability and diminutive size. It allows you to expand your field of view without adding significant bulk, which is crucial for maximizing comfort while sightseeing across Japan.
The M.ZUIKO 9-18mm F4.0-5.6 features a high-performance optical construction of 12 elements in 8 groups, including specialized elements such as two DSA (Dual Super Aspherical) lenses, an Aspherical lens, an ED lens, and an HR lens. This design effectively suppresses aberrations and ensures high image quality and sharpness throughout the zoom range.
The lens utilizes an MSC (Movie and Still Compatible) mechanism for high-speed, silent focusing, which is essential for capturing candid moments and recording high-quality travel video. Its compact, retractable mechanism means it is incredibly easy to pack and carry.
| Feature | Specification |
| Focal Length | 9-18mm |
| 35mm Equivalent | 18-36mm |
| Maximum Aperture | F4.0 (Wide) to F5.6 (Tele) |
| Filter Size | 52mm |
| Minimum Focusing Distance | 0.25m |
| Mass | 155g |
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The compact size and extremely light weight (155g) of this lens mean you can easily carry it throughout a long day of sightseeing without fatigue. Its retractable design allows it to take up minimal space in your day bag, leaving more room for souvenirs.
Yes, the 18-36mm equivalent range is highly versatile. The 18mm end is perfect for dramatic wide-angle views, while the 36mm end is closer to a standard perspective, allowing you to capture a wide variety of subjects from grand scenes to environmental portraits.
Yes, unlike some other ultra-wide zooms, this lens accepts readily available 52mm screw-on filters, allowing you to use polarizing or Neutral Density (ND) filters to enhance your landscape and long-exposure photography in Japan.
DSA (Dual Super Aspherical) lenses are complex elements designed to achieve superior correction of aberrations, especially at wide angles. Their inclusion ensures that the lens delivers high resolution and minimizes distortion, resulting in sharper, more detailed photos of Japanese architecture and scenery.
While the variable maximum aperture (F4.0-F5.6) is not as bright as premium F2.8 lenses, its wide-angle nature means you can often use slightly slower shutter speeds handheld. For optimal low-light performance, however, we recommend pairing this lens with a camera body that features in-body image stabilization (IBIS).
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